In this part of the poem, the focus lies heavily on the journey of the leaves, which evokes the cycle of life and death. This is the end of the journey for the hemlock leaves, but their fall to the ground is followed with the cry of the peacocks. This seems to indicate a cry out against mortality, or the death of beauty.
This section of the poem also plays with color and sound, intermixing in continuous movement. This constant movement also illustrates the continual moving of life in birth and death, rebirth and death. All of the objects in the poem are compared to each other throughout, just as the leaves were compared to the peacocks' tails previously. Also, the mention of the "twilight wind" is a particularly vivid image, and also might serve to directly reflect the end of a cycle, as nighttime follows day. Night indicates the end of the day, and the ground shows the final resting place of these hemlock leaves that have journeyed in the wind.
This section of the poem also plays with color and sound, intermixing in continuous movement. This constant movement also illustrates the continual moving of life in birth and death, rebirth and death. All of the objects in the poem are compared to each other throughout, just as the leaves were compared to the peacocks' tails previously. Also, the mention of the "twilight wind" is a particularly vivid image, and also might serve to directly reflect the end of a cycle, as nighttime follows day. Night indicates the end of the day, and the ground shows the final resting place of these hemlock leaves that have journeyed in the wind.